Jason Heller

"Brain matter will squeeze through a keyhole," says Jake Baker, the main character of Craig Davidson's new novel The Saturday Night Ghost Club. Jake should know. He's a neurosurgeon, and he spends his days cutting into people's brains, hoping to heal the mysterious maladies that afflict the human brain. The Saturday Night Ghost Club is his story, although most of it takes place in the past — one summer during the '80s, in which he turned 12.

Richard Kadrey has never faced a deficiency of darkness. From his early cyberpunk novel Metrophage to his bestselling fantasy-noir series Sandman Slim to his stint on DC Comics' Hellblazer, the author's work has steeped itself in the murkier extremes of morality, technology, and the supernatural. At the same time, there's a pulp sensibility to Kadrey's fiction that's become almost a brand — a brand that he's rebelling violently against in The Grand Dark.

"It was a great time for storytellers," says Matthew Biggs, the central character in Kenneth Calhoun's haunting debut novel, Black Moon. The irony of his comment comes with a horrific aftertaste: The world is suffering from a sudden, unexplainable pandemic that's made everyone a perpetual insomniac. Biggs is one of the few who can still sleep. Humanity's state of chronic wakefulness has caused mass insanity — in the noonday sun, dreams overflow and chaos reigns.