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Bob Mondello

When Cynthia (Jillian Bell) and her partner (Michaela Watkins) arrive in small-town Alabama for the reading of her grandfather's will, she thinks they're inheriting a house. But to pay for his final years, he'd taken out a reverse mortgage, so instead, she's handed ... an antique sword.

Is it weird to keep asserting that Summer Movie Season starts Memorial Day weekend, when Avengers: Endgame, the ultimate summer movie, and also the year's (the decade's! the century's!) biggest blockbuster, opened last month?

Maybe. Sure. Who cares?

"Summer movie" is a term, after all, that has taken on a negative connotation, as it tends to be deployed by those looking to sniffily dismiss the whole crop of films that come out in the months without an R. See also: "popcorn movies," "comic-book movies."

At the movies, 2018 was the year of Black Panther, the year of more Incredibles and Avengers, more Star Wars and Mission: Impossible. But it was also the year of intimate stories of youth and love. It was the year of period pieces and fantasies, crushing tragedies and raucous comedies. Bob Mondello, Linda Holmes and Glen Weldon would never agree on a single list of best movies of the year. But here are 15 of the movies we admired and will remember.

Black Panther

Fall is often the most intense movie season of all. Awards contenders begin to come into focus after the Toronto International Film Festival, while comedies and thrillers continue to hit screens. We got to see a lot of upcoming films at TIFF — below you'll find write-ups of 15 movies we really enjoyed and a heads-up about nearly 40 notable releases.

Actor Burt Reynolds, who played good ol' boys and rugged action heroes in an acting career that spanned seven decades, has died. Reynolds died Thursday morning at a Florida hospital following a heart attack. He was 82.

Spike Lee's new movie, BlackkKlansman, is based on a true story, but the plot sounds crazy enough that you'd be excused for thinking he'd just made it up. It's about an African-American police officer, Ron Stallworth, who went undercover in the 1970s to infiltrate the Ku Klux Klan ... by joining it.

Stallworth was the first black officer hired by the Colorado Springs Police Department. In the film, when his chief and the mayor tell him they're hoping he'll "open things up," they don't anticipate that he'll go about that task in quite the way he chooses to do so.

'Molly's Game' Is Aces

Dec 23, 2017

Molly Bloom (Jessica Chastain) is a fighter.

When a freak accident on the slopes sidelines her bid to become an Olympic skier — an accident from which she insists upon walking away — she moves to Los Angeles and gets a job as a cocktail waitress.

The three of us — NPR movie critic Bob Mondello, Pop Culture Happy Hour host Linda Holmes and me, a writer for the NPR Arts Desk and Pop Culture Happy Hour panelist — didn't share our lists of favorite 2017 movies with one other beforehand, so it's interesting to see us all agreeing on so many great films (The Big Sick, Call Me By Your Name, The Florida Project and Get Out).

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Fifty years ago, on June 12, 1967, the Supreme Court's decision in Loving v. Virginia legalized interracial marriage. Just two weeks earlier, shooting had been completed on a movie about that very subject — Stanley Kramer's soon-to-be-classic, Oscar-winning, box-office smash Guess Who's Coming To Dinner, starring Spencer Tracy, Katharine Houghton and Sidney Poitier.

As the shorter half of the sketch-comedy duo Key & Peele, Jordan Peele was ever on the lookout for distinctive ways to tackle ethnic stereotyping, so it makes sense that he'd leaven his film directing debut with more than just a dash of social satire.

Get Out, billed in its opening credits as "from the mind of Jordan Peele," is a horror-flick with a decidedly Peelean take on genre and on race — one that subverts familiar horror tropes while encouraging audiences to simultaneously react to them, and step back to look at them more closely.

In theory, the two new movies dealing with America's racial history ought to describe a cinematic straight line: Nate Parker's provocatively titled drama The Birth of a Nation imagines the events leading up to an 1831 slave revolt, while Ava DuVernay's documentary, 13th, examines the legacy of the constitutional amendment that outlawed slavery. A matched set...yes?

In practice, the underlying social narrative is twisty, and the films intersect in complicated ways.

China's Cultural Revolution was a period of political turmoil, launched by Mao Zedong in 1966, a dark decade that many in Chinese society would prefer to forget. So it says something that Zhang Yimou's new drama Coming Home, which is set during those years, has been a big success in China.

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Editor's Note: Hot weather is the time for popcorn pictures — escapist films that may have laughs or tears along the way, but that inevitably end happily. It's a formula that's served Hollywood well, and that's also served to make a lot of people into movie addicts, including our critic Bob Mondello. He now sees more than 300 movies a year — many of which do not have happy endings, and that suits him fine. But we asked him if he remembered his first trip to a movie theater. And he did.

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