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It seems Latino culture was everywhere in the arts this year. Noel King talks to Carolina Miranda, culture writer for the Los Angeles Times, about how Latino culture was represented in 2017.

The Koch brothers' wide-ranging influence is no secret. But rather than focusing on how they spend their money, Christopher Leonard presents a richly reported tale of how they got it.

In an interview with NPR about his memoir, Permanent Record, former NSA contractor Edward Snowden denies any cooperation with Russian intelligence and says he would return if guaranteed a fair trial.

The director who has boomeranged from better-regarded films to ones treated much less kindly barely wants to own this crime thriller. But for fans of his work, there are sequences to admire.

Showtime's miniseries chronicles the rise and fall of the cable news mogul. But The Loudest Voice's treatment of the sexual harassment case against Ailes is so lurid it begins to feel exploitative.

Alexa Martin is married to a former NFL player, and she puts that experience to good use in her latest football romance — a witty, sexy story about a determined single mom rediscovering an old love.

Eisenberg stars as a stunted young man who seeks out martial arts lessons in Riley Stearns' dark comedy about toxic masculinity. And you won't find him running the steps of Philadelphia's art museum.

The success of Sigrid Nunez' The Friend sparked the reissue of this early work, also about a beloved pet — but Mitz the marmoset was real, and she belonged to Leonard and Virginia Woolf in the 1930s.

The film, about a wealthy clan who play a deadly game of hide-and-seek with a young woman (the fantastic Samara Weaving) marrying into the family, is fast, fun and not for the squeamish.

James Gregor's novel about a gay man who falls into an intense relationship with a woman mixes old-fashioned style and contemporary setting. His observations on human nature are precisely rendered.