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  • Detroit-based musician Kem has hit the No. 1 spot on urban and R&B music sales charts with "I Can't Stop Loving You," a single song from his latest self-produced CD Album II. Ed Gordon talks to Kem about making jazz-influenced music on his own terms.
  • A profile of Tony Schwartz, an innovative and inspired sound gatherer, recording the sounds of America since 1945. A man who will venture no further than his postal zone, Mr. Schwartz has made more than 30,000 home recordings in the streets, delis, cabs, playgrounds and stoops of his New York neighborhood.
  • Pakistan, celebrating its 60th anniversary this week, is a country of contradictions, two Pakistani-born novelists say. On the one hand, there are signs of optimism about the emergence of democracy. On the other, Pakistan is seen as the focus of the war on terrorism.
  • Host Bob Boilen rejoins co-host Robin Hilton for this week's essential mix of new music, tales from Bob's week on the road and a heart-stopping amount of coffee.
  • These 12 previously unreleased recordings all shine a spotlight on Hendrix's considerable charisma, preserving the guitarist's work in amber while still polishing it up as good as new.
  • Hosts Bob and Robin are trapped in their respective homes for this snow-day edition of the show, but warm things up with breezy cuts from Eternal Summers, Slow Club and more.
  • Players who defected to Saudi-funded LIV Golf filed an antitrust lawsuit against the PGA Tour, the first step in a legal fight that could define the rules of where players can compete.
  • Though born in France, Nobel laureate Jean-Marie Gustav Le Clezio is a nomadic writer, whose work has been defined by his life of travel around the world. For him, storytelling means melting into the background.
  • A solo singer, go-to collaborator and member of the Pistol Annies, Monroe is a star who's both arrived and rising: accepted by insiders without losing her veneer of outsider cool.
  • The gospel-punk band's self-titled debut couches its invective in feedback, guitar noise, bruising drum machines and Franklin James Fisher's guttural howls.
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