Lara Pellegrinelli
Lara Pellegrinelli is a freelance journalist and scholar with bylines in The New York Times and the Village Voice. She has been the commissioned writer for Columbia University's Miller Theatre and its Composer Portrait series since 2018.
Pellegrinelli began reporting locally in New York for WNYC and producing segments for its daily music talk show, SoundCheck. She has been a contributor to NPR's arts coverage since 2008, reporting stories that have been heard on Morning Edition, All Things Considered and Weekend Edition. From 2011 to 2014, she was the coordinator for educational outreach and audience development for NPR's Live from the Village Vanguard and wrote regularly for A Blog Supreme. In 2021, Pellegrinelli led a team of reporters in a data analysis of the NPR Music Jazz Critics poll, published on NPR Music as "Equal at Last? Women In Jazz, By The Numbers."
An ethnomusicologist by training, Pellegrinelli received her Ph. D. in music from Harvard University. Her dissertation, "The Song is Who? Locating Singers on the Jazz Scene," is the first ethnographic study of jazz singing. She currently teaches at The New School in New York City.
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Larry Goldings explains the appeal of the legendary electric organ, a staple of gospel and soul music.
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The saxophonist explains why his band returns to a certain palate-cleansing, dairy-titled tune so often — and discusses his connection to its composer, long-time collaborator Ralph Alessi.
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Before he was the drummer for The Bad Plus, King developed a strong work ethic — or maybe not — doing various forms of menial labor in the Midwest.
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"Women in Jazz Day" officially hits New York City Friday, complete with a new documentary on the subject.
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In an era when some classical musicians are struggling, New York-based flutist Claire Chase, the founder of the International Contemporary Ensemble, is keeping very busy.
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The Taking of Pelham 123 is the latest big-budget thriller remake, starring A-list celebrities Denzel Washington and John Travolta. But its biggest star goes unbilled: the New York City subway system.
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Her bandmates have called her the best player in their group. But Nelson is content to hunker down in front of her piano, hidden by her cowboy hat. She had to be tricked into recording her solo debut.
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Monk has spent four decades challenging audiences and winning awards with her unusual fusion of song, theater, dance and film. Lately, she's begun to consider how her work will last after she's gone.