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Walk into the National Portrait Gallery in Washington, D.C. right now and you will find a painting that has been ripped to shreds.

Another one, nearby, hangs half-loose from its stretcher, rumpled. It's a portrait of Thomas Jefferson; behind it, you glimpse a seated black woman.

They are works by the artist Titus Kaphar. He takes familiar images and remakes them. Maybe he pulls a hidden figure to the front.

His work often confronts the history of slavery and racism in the United States.

Anderson .Paak is in album mode. Yes, lawd!

Atlanta is changing the names of three streets that echo the city's Civil War past.

Confederate Avenue will become United Avenue, East Confederate Avenue will become United Avenue S.E. and Confederate Court will become Trestletree Court on Martin Luther King Jr. Day.

Ambrose Akinmusire offers a litany of the dead as the penultimate track of Origami Harvest, his audacious, politically exigent, altogether astounding new album. The track is titled "Free, White and 21," and its lyrics consist of the names of African-American men and women (and, it must be said, boys) slain in recent years by members of law enforcement or the neighborhood watch.

Fall is often the most intense movie season of all. Awards contenders begin to come into focus after the Toronto International Film Festival, while comedies and thrillers continue to hit screens. We got to see a lot of upcoming films at TIFF — below you'll find write-ups of 15 movies we really enjoyed and a heads-up about nearly 40 notable releases.

A Star Is Born begins with Bradley Cooper, as successful country-rock singer Jackson Maine, doing his uninspired but high-octane brand of guitar work in front of a screaming audience of fans. When he's done, drunk and exhausted, he pours himself into a big black SUV, now alone with his nearly empty bottle, his flushed face, and his lungs that sound like they're filled with ash. He is in rough shape.

Updated at 3:45 p.m. ET

Vermont state Rep. Kiah Morris has resigned from office, citing extensive racial harassment and telling The New York Times that the lack of response from local law enforcement has been "stunning."

Morris, who was the only black woman in the state Legislature, announced in August that she wouldn't run for re-election. She wrote that political discourse had become "divisive, inflammatory and at times, even dangerous."

Our coverage yesterday (and days before and surely in days to come) of the news surrounding the Kavanaugh nomination has been excellent. Thank you.

No one here wants to do anything that would raise questions about NPR's work – which brings us back to a topic we've addressed before.

Social media.

From our Ethics Handbook [bold added for emphasis]:

Magos Herrera is a jazz singer from Mexico, but she has also sung pop songs with Brazilian beats and crooned Mexican classics with a touch of rock. Herrera takes another adventuresome step on her new album, Dreamers, where she partners with a classical string quartet for an album steeped in Latin American culture. The potent mix of themes and the sound of the string quartet, plus a little percussion, are compelling.

Goodness feels so freaking quaint sometimes.

But goodness is indeed what The Good Place, which returned for its third season Thursday night on NBC, is about. It is about people trying to be good — and it's also one of the silliest, cleverest, smartest comedies on TV.

[This is where I tell you that "spoilers," so to speak, abound, in that we're going to talk here about the things that have already happened on this show up to and including the third-season premiere.]

Let's get the cheap lazy jokes out of the way at the top:

It's Catch Me if You Can on Geritol.

It's The Great Train Robbery (Seniors Discount Fare).

It's The (All-You-Can Eat) Italian (Pasta-Buffet) Job. Okay. Enough.

What writer/director David Lowery's The Old Man & the Gun actually turns out to be, of course, is exactly what it looks like: a defiantly unhurried and genially old-fashioned cops-and-robbers yarn, built around a wry, wistful central performance from Robert Redford.

The central event of Monsters and Men is clearly based on the 2014 slaying of Eric Garner by NYPD officers on Staten Island, although writer-director Reinaldo Marcus Green has altered both the location and the cause of death. Yet the killing of loose-cigarette peddler Big D (Samel Edwards) takes place literally in the background. This evocative drama is most concerned about the aftermath, viewed from three different angles.

Music came naturally to Jon Batiste, the leader of Stay Human, the house band for The Late Show with Stephen Colbert. Growing up outside of New Orleans as part of a large musical family, he says, "I picked up on all of these things that are integral to who I am as a musician without necessarily studying them."

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